Franz Antel Films - Streaming ITA Online Gratis

Franz Antel (June 28, 1913 – Agosto 11, 2007) che a veterano Austrian filmmaker. Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, he ha iniziato writing and directing film on a large scale. In the late 1940s, 1950s, 1960s and these were mainly comedies (romantic, slapstick, and/or musical) e K. u. k. film all of which for Austrian and Italian TV stations alike, have been a staple of weekend pomeriggio programming ever since. In between there is quite a sober film about the Oberst (Colonnello) Redl affair that shook the Austro-Hungarian Stemma on the eve of World War I. From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. It was in his particular series of Padrona di casa ("hostess") film, diretto under the pseudonimo di François Legrand, with which he tried to win international recognition. Titles included The Sweet Sins of Sexy Susan (1967), Sexy Susan Sins Again (1969), Selvaggina, Willing & Sexy (1969) and don't Tell Daddy (aka Naughty Nymphs in the U. S. A.) (1972). Among the actors Antel worked with were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Enrico Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol. Nel 1981, che a turning point in Antel s career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. Set from the days of the Connettore of 1938 until after the end of the war, Il Bockerer is about a Viennese butcher named Karl Bockerer (Karl Merkatz) whose common sense rather than intellect tell him to oppose the Nazisti and who dares resistance to show di just because he is never fully aware of the possible fateful consequences of his actions. While Bockerer and his wife survive the era sopravvissuto unscathed non ha, their son join the SA but after some internal intrigue, è, is sent to the front and killed. Il Bockerer IV The film's strong anti-fascist message, the moving dialogue, and performances by the crème de la crème of Austrian actors and actresses (Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Holt, Dolores Schmidinger and many more) made Di Bockerer a unusually successful film and gave new impeto to Antel di carriera. He made three sequels, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial historical evento in Austria or one of its neighbouring countries: Il Bockerer II (1996) is about the ten-year occupation (1945-1955) of Austria by the allied powers; Il Bockerer III — Il Ponte di Andau (2000) is set at the time of the Hungarian Revolution of 1956; e, finally, Il Bockerer IV — La Primavera di Praga (2003) deals with Dubček s Prague Spring of 1968. Antel would recount a anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a pair of high tacchi in his luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone.